An international jewel thief tries to keep his secret from his niece.

Feature-length documentary on the making of NIGHT OF HORROR.

A barber is mistaken for a rich society woman's new servant.

A short made for the surprise dinner in honor of 50 years Nico Crama as filmmaker. A knight defies hideous dangers to save a princess. Rearranged and slightly modified version of Oh What a Knight from 1982.

The daughter of an industrialist, Dorothy Winston, arranges to work on a newspaper in which her father places a substantial amount of advertising, Joe Madison, the reporter son of the paper's editor, offers to show her the ropes. A gunman employed by Mike Corney lands in jail, and Dorothy succeeds in interviewing him, getting him to divulge the whereabouts of a canceled check that will link Corney to Patterson, a corrupt political boss. Dorothy and Joe get the check, and Joe telephones his father to urge him to print an exposé of Patterson. Corney recovers the check, however, and Patterson institutes a damaging libel suit against the paper. Dorothy gets the check back and obtains photographic evidence to further incriminate Patterson and Corney. Dorothy and Joe decide to write the story of their life with each another. A lost film.

The concert was recorded during the winter leg of the UK arena tour at the SECC Glasgow on 1 December 2007

On the eve of losing her family estate, actress Homa is blackmailed by a government agent with a compromising tape. Forced into a real-time video call with her estranged family, which has been exiled since the 1979 Revolution, decades of silence explode into raw confrontation. As old wounds resurface and accusations fly, the line between past and present blurs. Secrets unravel, betrayals are laid bare, and the long-buried fate of two sons lost to history comes roaring back.

Two women communicate in a language of art, working men in a pub speak in their Viennese idiom, patients of a psychiatric hospital arrive at speech through improvisation – all these diverging portrayals do not merge into one another but communicate by their proximity.

Several filmmakers discuss the introduction of Western modes of communication, especially film, to native cultures. While these tools can help a native people to document their own culture, it can also "swallow" their culture, encroaching upon and irreversibly altering it. The film takes its title from a book written by filmmaker Edmund Carpenter in 1972 about his engagement with media in Papua New Guinea.

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